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A Gilded Past: Gold in Art History

An element's enduring hold on art and culture.

Gold, the most coveted and timeless of metals, has held an esteemed position in art and culture for centuries, inspiring a sense of wonder and reverence from the beholder. 

From the celestial atmosphere of Fra Angelico’s frescoes to the sensual embrace of Gustav Klimt’s The Kiss, it has played a starring role in countless masterpieces.

But what is it about this precious element that has grasped artists and art lovers for generations?

This article delves into our enduring fascination with gold and its evolving use throughout history.  

Join us as we explore its presence in different cultures, beliefs and eras, and seek to uncover the reasons behind its allure. 

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Sancta Lilias, 1874 · Dante Gabriel Rossetti · Oil on Canvas with Glided Base · 48.3h x 45.7w (cm) · Tate Britain, London, UK · Photo © Tate

Golden beginnings: The dawn of a glided age

Gold’s endless appeal can be traced to prehistory, when ancient civilisations first stumbled upon this rare and gleaming treasure. Its scarcity, radiance, and ability to resist tarnish rendered gold an object of immense desire. 

It wasn’t long before this precious metal became a potent symbol of affluence, influence and divinity. From here, it’s intoxicating influence traversed geographical boundaries, dazzling civilisations across both time and place.

In ancient art gold held a special association with the divine, often thought to have come from sun, with symbols of gods and goddesses adorned in golden garments or accessories. The Ancient Egyptians in particular, saw gold as a symbol of immortality, believing it to be the physical embodiment of their sun god Ra. This deep connection to the eternal was mirrored in the opulence of their funerary practices, with lavish gold masks, jewellery, and artefacts adorning the tombs of pharaohs, signifying their journey to the afterlife.

To transform raw gold into these magnificent works of art, ancient goldsmiths employed a range of intricate techniques. These methods, including casting, hammering, granulation and filigree, allowed for exquisite detailing and complex designs. The abundance of gold mines in Egypt and Nubia provided ample material for these masterpieces, with an estimated 2 million ounces of gold mined from Nubia alone between 2600 BCE and 1500 BCE.

The famed tomb of Tutankhamun is evidence of this abundance, and a testament to the artistry and significance of gold in Ancient Egypt. In 1922, archaeologist Howard Carter stumbled upon this extraordinary monument, where a wealth of golden treasures meticulously adorned the young pharaoh, safeguarding and guiding him on his journey to the afterlife. Carter’s finding of these “wonderful things” has fascinated the world ever since.

 

Gold in Buddhist and Oriental traditions

Gold’s significance can also be seen throughout Buddhist art, a symbol of purity and illumination. This symbolism is exquisitely manifested in the construction of golden Buddha statues, like the awe-inspiring Great Buddha of Wat Muang in Ang Thong Province, Thailand. This grandiose statue, towering at 3 meters tall and weighing an astonishing 5.5 tonnes, is considered the largest solid gold statue in the world, a monument to spiritual radiance and sacredness.

In Oriental religious architecture, gold bestows divine aura upon temples and shrines throughout Asia. Originally constructed in 1397, the Golden Pavilion, Kinkaku-ji, in Kyoto, Japan was first a retirement villa for the shogun Ashikaga Yoshimitsu, and later transformed into a Zen Buddhist temple. The temple’s upper floors, adorned with gold leaf, create a shimmering exterior that reflects serenity and enlightenment. This radiant display further strengthens the symbolic connection between gold and the sacred, inviting contemplation and wonderment amongst its visitors.

The influence of gold in Oriental tradition extends far and wide, with gold leaf generously adorning a variety of art forms, including paintings, screens, imperial treasures, and courtly artefacts. The grandeur of this precious metal is epitomised in the Forbidden City of Beijing, built during the Ming Dynasty in the early 15th century. Within its palatial walls, countless golden artefacts found their home, evidence of the immense power and wealth of the Chinese Empire during its nearly five centuries of housing the ruling class.

 

Kintsugi: The art of golden repair

Kintsugi, the Japanese art of mending broken pottery with gold, embraces the beauty found in imperfection and the transformation of flaws into unique features – a concept similar to the Japanese philosophy of wabi-sabi. 

While the exact origins of this art form remain a mystery, its popularity in Japan grew during the late 16th century, particularly in connection with the tea ceremony. The practice of sprinkling powdered gold over lacquer repairs became a defining characteristic of tea bowls, even causing people to purposely break or seek out damaged ceramics, just for them to be repaired.

The philosophy and symbolism of Kintsugi continues to inspire to this day, leading to modern applications in art and design. In a world that often seeks perfection, Kintsugi breathes new life into objects, cherishing their narrative and celebrating the beauty that comes from embracing the past.

Golden Statue, Was Phra Kaew (1784), 2007 · Bangkok, Thailand · Photo © The Thomas-Ferdinand Gallery

Going to the Ball (San Martino), 1846 · J.M.W Turner · Oil on Canvas · 61.6h x 92.4w (cm) · Tate Britain

The Byzantine Empire: A golden era

During the Byzantine Empire, which thrived from the Medieval periods of the 4th to 15th centuries, we encounter a culture deeply entwined with the religious significance of gold. The Byzantine Empire was deeply rooted in Christianity, and the use of gold in religious art was seen as a way to convey the divine nature of the subject matter.

At the core of Byzantine art were intricate mosaics adorned with gold leaf, imbuing religious icons with a divine radiance. These glistening works aimed to evoke awe and wonder, reflecting the ethereal glow of heavenly light.

This Byzantine gold artistry lies within the Hagia Sophia, an architectural marvel in present-day Istanbul. Built in 537, this grand structure boasts a wealth of gilded mosaics that shimmer in the dim light, enveloping visitors in an otherworldly atmosphere. Standing beneath the soaring dome, surrounded by the glinting gold and vibrant colours of these exquisite mosaics, one can truly grasp the majesty created by these Byzantine artists.

Gold’s influence in Byzantine art extended beyond architecture and sculpture, finding its way into the production of illuminated manuscripts. Artists used the gold-ground technique, creating images with a predominantly solid gold background. Skilled scribes meticulously applied gold leaf to the pages of sacred texts, accentuating intricate illustrations and lettering with an ethereal glow. The result was a visual feast, transforming these holy books into precious works of art revered by all who beheld them.

Even with the empire’s fall in the 15th century, the legacy of Byzantine gold artistry endured, shaping the artistic landscape of the Gothic period. Gold remained a central feature in the creation of religious imagery, inspiring new generations of creatives to explore the opulence and symbolism of this precious metal.

 

The Renaissance: A glimmering innovation

The Renaissance, beginning in the 14th century in Italy and reaching England in the 16th century, ignited a renewed passion for the natural world and the human form across Europe. Despite this artistic revolution, the use of gold in art did not fade into the background; rather, it evolved and adapted to the changing tastes and sensibilities of the era. 

During this period, gold had already earned a unique place in the hearts of artists and art lovers due to its radiant glow and rich history. By incorporating gold into their creations, the artists of the Renaissance tapped into the deep-rooted cultural significance of this precious metal while simultaneously exploring new paths in artistic expression.

Masters like Leonardo da Vinci, Michelangelo, Fra Angelico, and Sandro Botticelli skilfully incorporated gold into their works, embracing a more subtle and sophisticated approach. Gilded frames, delicate gold leaf, and golden highlights became hallmarks of the Renaissance, infusing these masterpieces with a sense of opulence and refinement.

The stunning gilded frames that adorned many paintings served as more than decorative elements; they acted as visual portals, transporting the viewer into the world of the artwork. The gleaming gold borders created a striking contrast with the rich colours and intricate details of the paintings, drawing the eye and heightening the overall impact of the piece. Thus, gold played a subtle yet significant role in the artistic language of the Renaissance, adding to the viewer’s experience.

 

The Baroque Period: A dramatic symphony

The Baroque period was a time of drama, emotion, and grandeur, with gold playing a vital role in creating immersive, sensory experiences. Spanning from the late 16th to the early 18th century, the use of gold leaf and golden tones harmonised seamlessly with the Baroque visual language, from the ornate gilding of palace interiors to the gleaming yellow-gold tones of masterpieces like Rembrandt’s paintings. 

This era witnessed the rise of several master painters, including Rembrandt, Caravaggio, and Rubens. By expertly utilising a golden palette, they added a sense of drama and intensity to their artworks, employing the chiaroscuro technique, the use of strong contrasts, to play with light and shadow. The juxtaposition of dark, rich tones and the radiant glow of golden yellows granted their paintings an emotional depth that was both powerful and evocative.

In the world of Baroque sculpture, gold leaf held significant importance. Masters like Bernini and Borromini utilised gilding to accentuate the fine details of their creations, enhancing their already extraordinary works with a touch of opulence and refinement. The use of gold in these sculptures served to highlight the fluidity and dynamism of the human form, drawing viewers into the emotive narratives of each piece.

The age of glamour: Gold in the 19th and 20th centuries

Amidst the whirlwind of artistic movements which have swept through the 19th and 20th centuries, the role of gold in art adapted and evolved, becoming an integral part of the varied artistic languages that defined these eras.

In the Romantic period, artists like Joseph Mallord William (J.M.W.) Turner painted in glowing golden hues, an ode to the sublime beauty of nature. Turner’s masterful use of gold captured the breathtaking luminosity of sunsets and stormy skies, a reflection of the sensibilities of the period. For instance, his masterpiece Going to the Ball (San Martino) exemplified the intoxicating glow of a golden sky.

Beyond the Romantics, the Pre-Raphaelite Brotherhood, a secret society of young British artists founded in 1848, were enamoured with medieval aesthetics. Combining these influences with Romantic principles, artists like Dante Gabriel Rossetti and later, Edward Burne-Jones, experimented with gold leaf in their richly detailed paintings, adding opulence and splendour to their evocative compositions. The use of gold in paintings like Rossetti’s “Sancta Lilias” and Burne-Jones’ “Cupid’s Hunting Fields” further emphasised the ability for this precious metal to capture the ethereal and otherworldly essence of their subjects.

As the 20th century arrived, gold leaf maintained its grip on the art world. The Art Nouveau Movement saw artists like Gustav Klimt, the son of a goldsmith, masterfully use this material to create dreamlike scenes and hypnotising patterns. Klimt’s iconic painting “The Kiss” exemplified this mesmerising effect, enveloping the subjects and the viewer in a warm, radiant glow that felt both intimate and divine.

As the 20th century progressed, gold in art continued to evolve, adapting to the shifting tastes and styles of the age. The Art Deco movement, for example, embraced its geometric forms and bold lines with gold, incorporating them into architecture, fashion, and decorative arts. This glamorous aesthetic celebrated the luxury a symbol of wealth, status, and beauty.

Even in the world of modern and contemporary art, gold has maintained its allure. Nouveau Réalist artist Yves Klein, and Abstract Expressionist Mark Rothko have experimented with the use of gold in their paintings, creating bold, colour-block fabrications.  Following in the footsteps of their Baroque predecessors, artists like Henry Moore and John Duncan Fergusson utilised gold to elevate the elegance and expressiveness of their works. The lustrous finish of golden brass patinas not only accentuated the sculptures’ forms but created a sense of timelessness, connecting them to a wider historical context.

Icon Series, 2017 · Thomas J Price · 24ct Gold Leafed Aluminium Composite with Italian Slate Base on Quartzite Plinth · · © Thomas J. Price

Gold’s contemporary evolution

As we venture deeper into the 21st century, our continuing fascination with gold remains as strong as ever. This precious metal’s grasp has outlived societies, driven by humanities inherent desire to be affiliated with some form of divine – to behold spirituality, beauty, status, or nature. The artistic connection to gold is simply a reflection of this obsession, as artists across the globe have sought to capture and immortalise our shared desires and experiences.

Just as it has done throughout time, the use of gold in art will likely adapt and evolve, but never fade away. Today’s artists, such as Thomas J. Price and Anish Kapoor, continue to explore the unique properties of gold, finding relevant ways to incorporate its ageless narrative into their work. From sculptures that celebrate unrepresented faces of Black Briton, to installations that play with light and reflection, gold continues to find new avenues of expression in the hands of contemporary artists.

As awareness of the environmental and social impact of gold mining grows, there is also a growing push for ethical sourcing and certification in the art world. Initiatives like the Fairtrade Foundation support responsible mining practices and empower mining communities, paving the way for a more sustainable future for the industry. In addition, technological innovations producing imitation gold leaf, paints, and pigments have made this cherished material more accessible to artists, allowing for continued creative exploration while minimising the environmental impact.

As we move forward, artists and society will continue to grapple with the undeniable pull of gold, and its significance in shaping artistic expression and cultural identity. As long as this age-old fascination continues to ignite desire and imagination, future generations of artists will forever explore the immortal magic and symbolism of this precious element.

 


 

 · Banner Image : View of the Upper Gallery from the South-West, Hagia Sophia, Istanbul, Turkey, 1852 · Aikaterini Laskaridis Foundation Library

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