Movements

Orphism: An Enigmatic Movement

A bold exploration of colour, motion and spirituality.

Have you ever heard of the mysterious and enchanting world of Orphism?

An array of colours, swirling patterns, and hypnotic compositions – these are the hallmarks of this short-lived artistic movement. 

Originating in Europe during the early 20th century, Orphism took the art world by storm with its vivid, otherworldly charm.

The movement’s emphasis on surpassing the physical through the use of abstraction and colour has inspired many contemporary artists to explore the connections between art, emotion and the metaphysical.

But what, exactly, is Orphism, and how did this fleeting art movement shape the vibrant artist landscape we witness today?

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Windows Open Simultaneously (First Part, Third Motif), 1912 · Robert Delaunay · Oil on Canvas · 45.7h x 37.5w (cm) · Tate Collections, UK · Photo : Tate

"Depth is the new inspiration. We live in depth, we travel in depth. I’m in it. The senses are in it. And the mind is too."

— Robert Delaunay, Co-Founder of Orphism

The birth of a new movement

In the vivid metropolis of Paris, the birthplace of many artistic movements, Orphism emerged from a foundation laid by Cubism, a style championed by renowned artists Georges Braque, Pablo Picasso and Juan Gris. 

While Cubism aimed to represent reality through abstract shapes and forms, Orphism ventured into uncharted territory, breathing life into its creations with exuberant and radiant energy, an ode to Fauvism. The French poet Guillaume Apollinaire christened the movement “Orphism” in 1912, drawing inspiration from the mythical figure Orpheus, a musician whose melodies bewitched all living beings.

One might wonder if the choice of the name “Orphism” was a coincidence, but the connection runs deeper than mere chance. 

The early 20th century was a period of rapid change and upheaval, with the world on the cusp of unprecedented technological advancements and global conflict. Amidst this tumultuous backdrop, artists and art lovers yearned for a fresh perspective that could break free from the traditional constraints of artistic expression, and communicate something more emotive, more spiritual.

Orphism’s innovative approach to colour and form provided the perfect antidote, providing a more mystical and transcendental experience in art. 

The movement offered a beacon of hope and beauty, a new way to explore the depths of human emotion and the mysteries of the universe. Who better to symbolise this aspiration than Orpheus himself, the embodiment of music, beauty, and poetry in mythology?

 

The aesthetics of Orphism

At Orphism’s core was a profound fascination with colour and the incredible power it possesses to elicit emotions, engage the senses, and transcend reality. Orphic artists held the conviction that colour could function as a universal language, capable of conveying deep, unspeakable truths beyond the confines of speech or written word. 

A significant influence on this view was the emerging field of colour theory. Pioneering scientists and artists, such as chemist Michel Eugène Chevreul and abstract painter Wassily Kandinsky, began to investigate the psychological and emotional effects of colour, laying the groundwork for a deeper understanding of its expressive potential. Orphic artists eagerly embraced these new insights, using them to inform their own explorations of colour and its ability to communicate complex ideas and emotions.

The interplay between colour and music also played a central role in Orphism’s aesthetic. Many Orphic artists were deeply inspired by the emotional power of music, and they sought to translate this into a visual form. By incorporating elements of rhythm, harmony, and dissonance in their compositions, they created a visual language that mirrored the dynamic structure of music. The strategic use of complementary colours, such as red and green or blue and orange only intensified the visual tension and energy, guiding the viewer’s gaze across the canvas, and resulting in a truly synesthetic experience.

In addition to its bold use of colour and movement, Orphism was also defined by its commitment to abstraction, a reflection of the desires of the times.  The early 20th century’s had exploded with interest in spirituality, mysticism, and esoteric philosophies. Through a skilled use of geometric shapes and patterns, Orphic artists created complex, multi-layered compositions that defied easy interpretation. This intentional ambiguity invited viewers to engage with the artwork on a more personal and intuitive level, allowing them to derive their own meanings and associations from the interplay of colours and forms.

Sonia Delaunay wearing Casa Sonia creations, c. 1920 · Madrid · © Museo Thyssen, Madrid, Spain

Self Portrait, 1905 - 1906 · Robert Delaunay · Oil on Canvas · 54h x 46w (cm) · Musée National d’Art Moderne, Paris, France

The visual alchemists: Key figures of Orphism

Orphism’s rise to prominence was fuelled not only by its refreshing approach to art but also by the captivating personalities of its key proponents. The passion and dedication of these artists, who dared to defy convention and forge their own paths, undoubtedly contributed to the movement’s enduring appeal.

The most influential figures in Orphism include it’s co-founders and pioneers Robert Delaunay, Sonia Delaunay, and František Kupka. 

Robert and Sonia Delaunay’s partnership in love and art allowed them to delve into Orphism together, experimenting with daring colours, patterns, and forms. Robert’s “Simultaneous Windows” series and Sonia’s “Rhythm Colour” paintings encapsulated the essence of Orphism, with their vivid colours and dynamic compositions dancing in a visual symphony.

By contrast, Czech artist František Kupka adopted a more philosophical approach to Orphism. Drawing inspiration from spiritualism and theosophy, Kupka aimed to depict the intangible forces that shape the universe through his art. His piece, “Amorpha: Fugue in Two Colours,” is frequently cited as the first purely abstract painting in Western art history, signifying a critical turning point in the development of modern art.

While the Delaunays and Kupka may be the most well-known proponents of Orphism, the movement also attracted a diverse array of talented artists, each bringing their own unique perspective to the table. Although their styles and techniques differed, they all shared a common passion for exploring the infinite possibilities of colour and form.

Marcel Duchamp is perhaps best known for his provocative and iconoclastic contributions to the Dada movement, nonetheless, his early works exhibited an affinity for Orphism, seen in his experiments with colour and abstraction. Although Duchamp eventually moved away from Orphism, his brief foray into the movement left a lasting impression on his artistic development.

French painter Fernand Léger was drawn to the industrial aesthetic and mechanical forms that characterised the modern age. His Orphic works, marked by bold, tubular shapes and striking colours, revealed an influence of both Cubism and Futurism, and were thus coined “Tubism” by some. Léger’s artistic vision highlighted the relationship between art and the rapidly changing world around him.

The Italian Futurists, a group of avant-garde artists and writers, reflected the dynamism and energy of Orphism in their quest to capture the essence of modern life. Led by Filippo Tommaso Marinetti, the Futurists sought to break away from the past and celebrate the speed, technology, and progress of the 20th century. These paintings, filled with swirling forms and vibrant colours, expressed the exhilaration and chaos of a world in constant motion.

 

Global appreciation: The patrons and collectors 

As Orphism gained momentum, the movement attracted the attention of notable collectors, patrons, and critics. Their unwavering dedication to championing this groundbreaking movement contributed to its enduring legacy in the annals of art history.

Léonce Rosenberg, a prominent French art dealer, and collector Jacques Doucet, a renowned French fashion designer, were early advocates of Cubism and Orphism.  The support of these prominent figures, as they purchased and exhibited numerous works through their private galleries, provided the movement’s artists a platform to showcase their creations. Rosenberg’s tireless efforts to promote the movement extended beyond his own space, and he facilitated exhibitions and collaborations with other influential art dealers, ensuring that the movement reached a wider audience.

Across the Atlantic, American collector and patron Katherine Dreier played a crucial role in introducing Orphism to the United States. Co-founding the Society of Independent Artists with Marcel Duchamp and Man Ray, Dreier aimed to promote modern art in America. Her extensive collection, featuring works by both European and American artists, provided a vital link between the two continents and fostered a transatlantic dialogue around the burgeoning movement.

This movement’s staunch supporters, collectors, and patrons ensured that it’s creators received the recognition they deserved, cementing Orphism’s status as a pivotal force in the evolution of modern art.

A new wave of enthusiasm

In recent years, the art world has seen a revival of interest in Orphism, as enthusiasts, collectors, and academics rediscover the movement’s vibrant and colourful history. This renewed appreciation has given rise to a series of exhibitions, publications, and retrospectives, casting new light on this mesmerising movement and its pioneering artists.

But what has ignited this Orphic resurgence? 

One could argue that the movement’s daring, dynamic, and visually striking qualities strike a chord with contemporary audiences searching for solace from the uncertainties of modern life. In a time marked by digital saturation and information overload, Orphism offers a welcome haven of colour, beauty, and harmony, inviting us to pause and truly immerse ourselves in the sensory experience of art.

Another factor contributing to the renewed interest in Orphism is the increased accessibility of art and art history resources. Thanks to advancements in technology and the internet, a wealth of information is now available at our fingertips, enabling individuals from all walks of life to explore and engage with the world of Orphism like never before. This democratisation of knowledge has played a significant role in fostering a new generation of Orphism enthusiasts. 

The revival has also led to the rediscovery of lesser-known Orphic artists and the re-evaluation of their contributions to the movement. As Orphism enjoys a resurgence, the art world has seen an increase in scholarly research and academic discourse. Art historians, curators, and critics are re-evaluating the role of this lesser known movement in the broader context of modern art, leading to a deeper understanding and appreciation of its historical significance and enduring influence. 

 

The digital age: An intersection of art and technology

Venturing deeper into the 21st century, it’s evident that technology has profoundly impacted the art world. From digital painting to virtual reality galleries, the ways in which we create, share, and experience art have transformed significantly. So, where does Orphism fit into this fascinating intersection of art and technology?

In many respects, Orphism foreshadowed the digital revolution with its focus on abstraction, symbolism, and the potency of colour to convey complex ideas and emotions. The movement’s dynamic, pulsating compositions can be viewed as precursors to the kaleidoscopic visuals now dominating our screens and digital media. Contemporary artists working in the digital space have adopted an Orphic ethos, utilising bold colours, geometric shapes, and rhythmic patterns to create immersive, interactive experiences that captivate viewers and challenge our perceptions of reality.

Triptych, 1963 · Sonia Delaunay · Oil on Canvas · 99.7h x 200w (cm) · Tate Collections, UK · Photo : Tate · © Reserved

Echoes of Orpheus

Despite its relatively brief existence and enigmatic nature, Orphism has had a lasting impact on the trajectory of modern art and society. 

The pioneering exploration of colour theory by Orphic artists has established the profound emotional and psychological impact of colour. This exploration continues to inspire subsequent generations, leading to groundbreaking discoveries and innovations in fields such as psychology, design, and technology.

The dynamic and abstract nature of Orphic art has not only paved the way for influential art movements like Abstract Expressionism, Op Art, and Colour Field painting, but also left traces of its influence in the works of contemporary artists such as Mark Rothko, Bridget Riley, and Yves Klein. These artists continue to push the boundaries of colour and abstraction in their own distinct ways.

And by championing the importance of subjective experience, Orphism has challenged viewers to approach art with an open mind and a willingness to explore the unknown. 

This shift in perspective has profoundly influenced contemporary art appreciation, inviting us to embrace the complexities of abstract art and, in turn, the complexities of ourselves.

 


 · Listing and Banner Image : Circular Forms, 1930 · Robert Delaunay · Oil on Canvas · 67.3h x 109.8w (cm) · Solomon R. Guggenheim Museum, New York, US

 

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