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Report signals change to arts education

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"We are betraying our intelligence if we don’t ditch the EBacc."

— Bob and Roberta Smith, Artist

Dateline: London, UK – 01 April, 2025

In a defining moment for the arts and education sectors, the government has acknowledged what campaigners have been saying for years – the English Baccalaureate (EBacc) has had a detrimental impact on access to creative subjects in schools.

These findings, published within the Curriculum and Assessment Review Interim Report on 18 March 2025, mark a potential turning point for those who have long argued that creative education is being pushed to the margins.

With prominent art figures and advocacy groups continuing the call for change, the report’s recognition of the issue raises hopes for a potential shift in policy.

Photo by Barrett Smith on Unsplash

Helen Cammock, winner of the 2019 Turner Prize · Photo By Thierry Bal · Thierry Bal, CC BY-SA 4.0

What is the EBacc?

The English Baccalaureate (EBacc) is a performance measure used by schools in England to demonstrate academic success. The idea was simple: by focusing on core academic subjects, students would have better chances of getting into university and securing careers.

To meet it’s requirements, students must take GCSEs in a specific set of subjects: English, Maths, Sciences (either Combined Science or three separate sciences: Biology, Chemistry, and Physics), a language (modern or ancient), and a humanities (either History or Geography). Grades in these are converted into points (e.g., Grade 9 = 9 points, Grade 1 = 1 point), and the average of these points becomes their EBacc score.

The EBacc is closely linked to another performance measure called Progress 8, which tracks how much progress students make between the end of primary school and the end of Key Stage 4 (around age 16). Progress 8 places significant weight on EBacc subjects, meaning schools are often incentivised to encourage students to choose these subjects to boost their overall score. The previous government set ambitious targets, aiming for 75% of students to study the EBacc by 2022 and 90% by 2025.

 

The Impact

Since the EBacc does not include any creative or arts subjects, schools under pressure to improve their scores have reduced classes like music, drama, art, and design technology. This often means that students with a passion or talent for the arts find their options increasingly limited. The focus on EBacc subjects also means that students are often encouraged to select them to achieve a higher score, which in turn reduces the uptake of creative courses.

By aiming to establish a more academic pathway, it has, in practice, pushed creative (and many other) subjects to the margins, leading to a noticeable decline in education diversity across the country. This is highlighted by data from the CLA Annual Report Card 2024, which shows the extent of the impact on the arts.

Since the introduction of the EBacc, there has been a 42% decline in Arts GCSE entries. In some schools, this decline has been so significant that certain arts subjects are no longer offered at GCSE level. A-Level entries are also affected, with a 21% decrease in Arts subjects since 2010. This downward trend continues beyond secondary education, with the number of students studying for undergraduate degrees in Creative Arts and Design falling by 6% over the same period.

The reduction in arts education is not just seen in student choices but also in availability. Polling separate to the CLA Report found that 90% of students would like to take at least one creative subject at GCSE, but funding constraints in state schools make this difficult.

Between 2011/12 and 2022/23, there was a 21% decrease in teaching hours dedicated to arts subjects (excluding Dance, for which data was unavailable). At the same time, the number of arts teachers fell by 14%, indicating that schools are also cutting back on specialist staff.

Beyond arts education, the report highlighted other challenges within the current system. The socio-economic gap for educational attainment remains significant, with young people with Special Educational Needs and Disabilities (SEND) making less progress than their peers.

Meanwhile, the rise of AI and the need for digital literacy are not being adequately addressed. The continued lack of diversity in the curriculum has also been proved as disempowering and demotivating for students who do not see themselves reflected in what they learn, or are encountering negative portrayals when these do appear.

Artists Against EBacc

On 14 March 2025, an open letter published in The Times was signed by over 700 artists and arts advocates, organised by the Independent Society of Musicians (ISM). The letter condemned the EBacc and Progress 8, urging the government to take action. Quoting Sir Keir Starmer, it called for change so that:

“Every young person… has access to music, art, design, and drama… That is our mission. Because we know that for our creative industries to flourish, every child needs to be given a chance.”

This letter is part of a broader movement within the arts community, one that has been campaigning for against EBacc for years. Supported by organisations like the National Society for Education in Art and Design (NSEAD), it includes the Save Our Subjects campaign and the National Education Union (NEU)’s Arts & Minds campaign. Launched in February at Tate Modern, Arts & Minds aims to put arts subjects back at the heart of UK school curriculums, calling for the removal of the EBacc and advocating for increased funding and policy changes.

Organised in collaboration with national institutions including Artists Union England (AUE) and Black Lives in Music, the campaign is supported by over 20 organisations. Artist ambassadors include Sarah Graham, Bob and Roberta Smith, and Helen Cammock, winner of the 2019 Turner Prize.

Speaking at the campaign launch, Lisa Nandy, Secretary of State for Culture, Media, and Sport, stated:

“We’ve seen culture and creativity erased from many of our communities, and as a government, we are absolutely determined to rebuild that whole ecosystem.”

 

Bob and Roberta Smith, RA · Photo © Royal Academy of Arts

Why Art Education Matters

Looking at the objective of the EBacc – to prepare students for higher education and secure career opportunities – some may ask how important the arts are in achieving this goal.  The arts sector is notoriously underfunded, with career prospects often limited and poorly paid. Yet, arts industries contribute £126 billion to the UK economy. Despite this, the DACS UK Visual Artists Report (2024) found that UK artists earn 64.2% less than the average worker. The adage of the “starving artist” remains very real.

Addressing salary disparity, unpaid labour, and structural issues within the arts sector is an ongoing challenge. However, education should not be solely about top-level academic or career success. It is also about developing the life skills that support and sustain success in the real world. Without these skills, academic achievements may not translate into long-term, practical gains.

The  Curriculum and Assessment Review interim Report in part addresses this, stating:

“We have also heard consistently from children, young people, and their parents that they want more focus on the applied knowledge and skills that will equip them for later life and work…The National Parent Survey data further confirms these trends: nearly half of parents think that too little time is spent on skills related to financial management (48%); and around a third would like more attention to life skills (32%) and preparation for the job market (32%).”

In November 2024, a report published by the UK Department for Culture, Media and Sport (DCMS) highlighted the importance of the arts in contributing to the development of these life skills. The report cites 13 different groups of people – from the young to the old – whose health and wellbeing improved when they attended or participated in arts and culture.  The study estimated that the wellbeing and economic benefits of arts engagement amount to £8 billion per year, with £7 billion of this coming from improved quality of life and the rest from increased productivity at work.

Examples from the study include:

•. Over-65s participating in drawing classes at a local museum reported improved wellbeing and saved the NHS an average of £1,310 each in healthcare costs.

•. Young adults (aged 18–28) involved in artistic, musical, or theatrical activities reported increased happiness and a greater sense of purpose.

•. Participating in creative pursuits, such as painting, brings individual benefits worth an average of £1,000 a year.

When considering arts education within this context, two significant benefits emerge. Firstly, young people today and in the future stand to gain from increased access to arts, as arts education enhances both quality of life and workplace productivity.

Secondly, there are wider societal benefits, as nurturing creativity in the next generation equips them to deliver the arts experiences that will support public wellbeing and serve an ageing population – ultimately leading to fiscal savings for the country.

 

What’s Next?

Supporting access to arts, technology, and diverse educational opportunities is crucial for empowering young people and strengthening communities. While this interim report acknowledges the need for reform, there is also a broader issue to consider: the structure and support of working artists and the art industry as a whole.

As we await the full report in autumn 2025, the focus remains on addressing the impact of the EBacc and ensuring that the educational system supports a full spectrum of academic, social, and creative development.

 

 


 

References:

Gov.uk, 2025. Curriculum and Assessment Review Interim report [Accessed 30 Mar. 2025]

The Art Newspaper, 2025. Major campaign to revamp UK arts education launches at Tate Modern. [Accessed 30 Mar. 2025]

Independent Society of Musicians, 2025. ARTS LEADERS SIGN OPEN LETTER ON THE EBAC [Accessed 30 Mar. 2025]

Independent Society of Musicians, 2025. CURRICULUM REVIEW INTERIM REPORT HINTS AT POSSIBLE EBACC REFORM [Accessed 30 Mar. 2025]

Banner Image : Photo by Jeswin Thomas on Unsplash

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