Hidden narratives: The power of drawing

Walker’s preferred medium soon became drawing, which she believes is an intimate and powerful form of communication. Using charcoal, graphite, and pastel, she skilfully captures the essence of her subjects, unearthing hidden stories and emotions. Her unique technique of layering and erasing not only adds depth and texture to her work but also symbolises the complexity of human experience.

One of Walker’s most celebrated series is “Sub Urban” which was exhibited as part. of the UCA’s (University for the Creative Arts) Cultural Programme in 2015. The series features large-scale drawings of young people from the UCA’s surrounding area of Farnham, Surrey, reflecting on the stereotypes derived from fashion. The subjects in Walker’s drawings are depicted with dignity and grace, challenging conventional views and celebrating the resilience of youths in these communities.

In 2017, Walker was awarded the prestigious Evelyn Williams Drawing Award, in association with Jerwood Drawing Prize. As a result, she embarked on a project titled “Vanishing Point”, which explored the underrepresentation of Black figures in Western European painting. Through her meticulous drawings, Walker drew focus to the way Art History has shaped our perception of diversity and representation from the later Georgian period to present day.  “Vanishing Point”garnered critical acclaim, amplifying Walker’s reputation as an artist who fearlessly addresses societal issues and gives voice to the voiceless.

The same year, Walker’s work reached new heights when her series “Transcended” was exhibited at the Diaspora Pavilion during the 57th Venice Biennale. The monumental charcoal drawings depicted Black male soldiers from the Commonwealth in World War I, shining a light on the unsung heroes of this conflict.

“With the outbreak of the First World War, thousands of West Indians volunteered to join the British army on the basis that if they showed their loyalty to the king they would be treated as equals. However, in the beginning only white soldiers were allowed to fight, so the West Indians were relegated to carrying out arduous physical tasks, such as loading ammunition, laying electrical wires, digging trenches, and cleaning latrines for their white colleagues. Transcended provides the opportunity to re-dress the balance and celebrate the contribution of black soldiers to the two World Wars.”

“Transcended” was widely praised for its poignancy and visual impact, firmly establishing Walker as a leading figure in the global art scene.

Walker’s work has continued to evolve, addressing various aspects of human experience, including migration, identity, and belonging. In her 2020 installation “Place, Space, and Who”, a commission for the Turner Contemporary, Margate, she depicted five women and girls from the African Diaspora living in Margate and Kent. Through her sensitive and empathetic portrayal, Walker illuminated the strength and poise of these women, fostering a sense of shared humanity.

A lasting impact: Advocacy and mentorship

Beyond her artistic achievements, Walker has made a significant impact as an advocate for the arts and a mentor to emerging artists. As an active member of the British art community, she has served on numerous boards and committees, including the Arts Council England and the British Council’s Visual Arts Advisory Board. In these roles, Walker has championed the cause of underrepresented artists, promoting diversity and inclusivity within the arts sector.

Throughout her career, Walker has been a generous mentor to young and aspiring artists, sharing her wisdom and expertise to help them navigate the complex world of art. Her commitment to nurturing the next generation of artists has been recognised with several awards, including the Queen’s Award for Voluntary Service in 2018.