"What an artist is trying to do for people is bring them closer to something, because of course art is about sharing. You wouldn't be an artist unless you wanted to share an experience, a thought."
Early life and education
Born in Bradford, West Yorkshire, on July 9, 1937, David Hockney was the fourth of five children to Laura and Kenneth Hockney. From an early age, he displayed a passion for art, receiving encouragement from both his parents and his teachers. In 1953, at just 16 years old, Hockney enrolled at the Bradford School of Art, where he honed his artistic skills and began to develop his unique style.
In 1959, Hockney moved to London to attend the prestigious Royal College of Art, where he studied alongside other influential artists like Peter Blake and R.B. Kitaj. It was here that Hockney’s career truly began to take off, as he delved into the world of contemporary art and began to create works that would later become iconic.
The swinging sixties
The 1960s marked a turning point in Hockney’s career. His innovative, colourful, and often controversial works helped define the Swinging Sixties in London, and he became an integral part of the city’s thriving art scene. In 1961, Hockney created “We Two Boys Together Clinging”, a painting inspired by a Walt Whitman poem and an early indication of his exploration of themes related to his own sexuality.
Hockney’s first solo exhibition took place in 1963 at the John Kasmin Gallery in London, where he showcased his “Love Paintings’”series. These pieces boldly tackled themes of love, desire and intimacy, and earned Hockney recognition as an avant-garde artist. Among these works was “Domestic Scene, Los Angeles” which depicted two men in a shower, a daring subject matter for the time.
In 1964, Hockney moved to Los Angeles, a city that would significantly impact his art and life. The bright, sun-drenched landscapes of Southern California became the backdrop for some of his most iconic works. These paintings, including “The Splash” (1966) and ‘A Bigger Splash’ (1967), captured the essence of the California lifestyle, depicted with vibrant colours and clean, geometric lines.
Hockney’s fascination with the Californian landscape extended to the people who inhabited it. In the late 1960s and early 1970s, he created a series of double portraits featuring friends, artists, and curators, such as “American Collectors (Fred and Marcia Weisman)” (1968) and “Shirley Goldfarb and Gregory Masurovsky”(1974).