"The mirror is a powerful tool because it forces you to deal with yourself on a deeper level. Conceptually, paintings are like mirrors. They're an expression from the artist: 'This is how I view the world - I'm presenting it to you."

Early life and education

Born in Camden, New Jersey, in 1971, Mickalene Thomas grew up in a loving and supportive family that encouraged her creative talents from a young age. Her mother, Sandra Bush, was her first muse and a constant source of inspiration. Bush’s strong and fearless spirit was a driving force for Thomas, who would later immortalise her mother in her iconic artworks.

Thomas’s journey in the world of art began when she enrolled at the Pratt Institute in Brooklyn, New York. She later earned her Bachelor of Fine Arts degree in painting from the prestigious Yale University School of Art in 2002, and went on to hold several artist residencies, including the Versailles Munn Artists Program in Giverny, France.

 

Inspiration and influences

Thomas draws inspiration from a wide variety of sources, including art history, popular culture, and her personal experiences. Her artistic influences span across time and disciplines, including the works of Romare Bearden, Henri Matisse, and Edouard Manet.

In addition to her love for art history, Thomas is deeply inspired by the 1970s – an era marked by the Civil Rights Movement, Black Power, and the feminist movement. The bold patterns, colours, and styles of this decade are reflected in her work, evoking a sense of nostalgia and empowering energy.

One of her most recognisable techniques is her use of rhinestones, which add a distinctive sparkle to her paintings. This unique embellishment creates a sense of depth and dimension, drawing the viewer’s eye and inviting them to engage more closely with the work.

Thomas’s devotion to representing the beauty and power of Black women is also shaped by her own experiences as an African-American woman, her mother’s influence, and her admiration for powerful female figures such as Eartha Kitt, Pam Grier, and Grace Jones.

Career milestones and exhibitions

Mickalene Thomas’s artistic journey has been marked by numerous milestones and achievements, solidifying her position as a leading figure in the contemporary art world. From her first solo exhibition in 2005 at the Brooklyn Museum to her ever-expanding international presence, Thomas’s work has garnered widespread acclaim and admiration.

Some of her most notable exhibitions include:

Origin of the Universe (2012)
Thomas’s first solo museum exhibition, held at the Santa Monica Museum of Art and the Brooklyn Museum, featured her dazzling reimagining of Gustave Courbet’s iconic painting, “The Origin of the World.”

Tête de Femme (2014)
This exhibition at the Lehmann Maupin Gallery in New York City presented a series of Thomas’s large-scale portraits, showcasing her distinctive style and ability to capture the essence of her subjects.

Mickalene Thomas: Femmes Noires (2018)
Held at the Art Gallery of Ontario and the Contemporary Arts Center New Orleans, this groundbreaking exhibition explored the complex and multifaceted nature of Black womanhood through photography, film, and mixed-media installations.

Mickalene Thomas: A Moment’s Pleasure” (2019-2020)
Transforming the Baltimore Museum of Art, this immersive exhibition featured an installation of Thomas’s signature domestic interiors, as well as a selection of her paintings, collages, and photography.

In addition to her solo exhibitions, Mickalene Thomas’s work has been featured in numerous group shows and is included in prestigious public collections, such as the Museum of Modern Art, New York; the Solomon R. Guggenheim Museum, New York; the Whitney Museum of American Art, New York; the Tate Modern, London; and the Victoria and Albert Museum, London.

 

Awards and Recognition

Mickalene Thomas’s exceptional talent and dedication to her craft have been widely recognised and celebrated throughout her career. She has been the recipient of numerous awards and grants, including the Anonymous Was a Woman Grant(2009), the Brooklyn Museum Asher B. Durand Award (2012), and the United States Artists Francie Bishop Good & David Horvitz Fellowship (2015).

In 2020, Thomas was honoured with the prestigious Gordon Parks Foundation Award for her commitment to social justice and the representation of underrepresented voices in art.

Mickalene Thomas. A Moment’s Pleasure, 2019 · Installation · Baltimore Museum of Art, US · Photograph © Mitro Hood

Left Behind 2 Again, 2014 · Collage comprising relief, intaglio, lithograph, inkjet, and enamel · 104.1h x 158.8w (cm) · © Mickalene Thomas

Mickalene Thomas’s art reverberates as a celebration of Black beauty, femininity, and empowerment. Infused with vibrancy and courage, her bold creations defy traditional notions of representation and create space for a more inclusive vision of art.

Thomas’s art prompts us to embrace our own identities with resounding confidence, amplify the voices of those in our midst, and assert our presence within today’s society. Her work becomes a powerful reminder that art holds the potential to ignite not only visual delight but also personal empowerment.

 


 

 · Banner Image : Jet Blue #25, 2021 · Rhinestones, Acrylic, Chalk Pastel, Mixed Media Paper, and Archival Pigment Prints on Museum Paper mounted on Dibond with Mahogany and Silver Leaf Frame · 224.2h x 165.4w x 5.1d (cm) · Lévy Gorvy · © Mickalene Thomas / Artists Rights Society (ARS), New York

Studio Video, Mickalene Thomas, Beyond the Pleasure Principle, 2021 · © Lévy Gorvy

Artist works

Mickalene Thomas

by Mickalene Thomas

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