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In our modern lives, Japanese culture has seamlessly integrated into our social landscape – from food and clothing, to art and interior design. However, this cultural immersion was not always the case. It is in part through the contributions of Ozawa Kazumasa that our appreciation and understanding of Japanese art and culture has flourished.
Though his name may be unfamiliar to many, Kazumasa’s pioneering work in photography and printing acted as a powerful catalyst.
With unwavering dedication he embraced the promotion of Japanese identities throughout the West, fostering an environment rich in passion, ambition, and cultural exchange.
Born on February 29, 1860, in Saitama, Japan, Ogawa Kazumasa was raised in a time of unprecedented change. Japan was opening up to the West after two centuries of isolation, and young Kazumasa was exposed to the transformative influence of Western ideas and culture. He was only 15 when he left home to work as an apprentice at a photographic studio in Tokyo. It was here that he first encountered the art of photography, which would become his lifelong passion.
In 1880, at the age of 20, Kazumasa sailed to Boston to study photography and printing. During this period, he was exposed to the cutting-edge techniques and aesthetics of Western art. He immersed himself in the works of prominent photographers and artists, such as John Ruskin, William Morris, and John La Farge. While in the United States, Kazumasa honed his skills in collotype, a printing process that would later become a hallmark of his artistic career.
Returning to Japan in 1884, Kazumasa brought with him a wealth of knowledge and experiences. He was determined to introduce the world to the rich cultural heritage of Japan through photography and art.
Ogawa Kazumasa opened his own photographic studio in Tokyo in 1884, where he began to produce exceptional images of Japan’s natural beauty and cultural treasures. He was among the first to capture the exquisite gardens, majestic temples, and serene landscapes of Japan, which were virtually unknown to the Western world at the time.
Kazumasa’s photographs were imbued with a deep sense of reverence for Japan’s artistic and cultural heritage. His meticulous compositions, often featuring traditional Japanese motifs such as cherry blossoms, Mount Fuji, and graceful geishas, resonated with audiences both in Japan and abroad.
The charm of his work was not lost on his Western contemporaries. Kazumasa was soon collaborating with renowned photographers such as Alfred Stieglitz and Frank Meadow Sutcliffe, who admired the poetic elegance and technical prowess of his work.
As one of the leading figures in the field of Japanese photography, Ogawa played a crucial role in the establishment of the Japan Photographic Society. This society served as a gathering point for photography enthusiasts and amateurs from across the country. Together, they formed a community dedicated to the art and craft of photography, fostering the exchange of ideas, techniques, and artistic inspiration. Through the Japan Photographic Society, he became a bridge between the East and the West, helping to forge a new understanding and appreciation of Japanese art and culture.
Kazumasa’s passion for photography was matched by his enthusiasm for the art of printing. Recognising the potential of collotype, a process that enabled the production of high-quality photographic reproductions, he established the Ogawa Shashin Seihanjo, a printing studio in Tokyo. It was here that Kazumasa’s innovative spirit shone, as he perfected the collotype process and adapted it to the unique requirements of Japanese art.
His mastery of the collotype process allowed Kazumasa to capture the subtle nuances of Japanese woodblock prints, watercolours, and other traditional art forms in his reproductions. These prints, characterised by their rich colours and intricate details, were eagerly sought after by collectors and art enthusiasts in Europe and America, cementing Kazumasa’s reputation as a pioneer in the field of printing and publishing
Through his cherished printing studio, Kazumasa also crafted a series of magnificent art books that celebrated the brilliance of Japanese artists, photographers, and craftsmen. These extraordinary publications, including the iconic ‘Some Japanese Flowers’ and ‘Illustrations of Japanese Life (Customs and Ceremonies)’, served as captivating gateways, inviting the world to immerse themselves in the richness of Japanese art, culture, and history. Through ‘Some Japanese Flowers’, Kazumasa unveiled a treasure trove of beautifully photographed and hand-painted images, immortalising the allure of native Japanese flowers in a timeless manner.
Mount Fuji as Seen from Kashiwabara, from the book ‘Japan. Described and Illustrated by the Japanese. Written by Eminent Japanese Authorities and Scholars’, 1897 · Hand-coloured Albumen Silver Print · 18.7h x 25.4w (cm)
Iris Kæmpferi, from the book ‘Some Japanese Flowers’, 1896 · Hand-coloured Collotype Print · 26.8h x 20.6w (cm) · Created in Yokohama, Japan
Ogawa Kazumasa passed away on September 8, 1929, leaving behind a story of cultural pride and personal ambition, and an example that the two can happily sit hand in hand.
In addition to his own photographic work, Kazumasa became an advocate for the promotion of Japanese art and culture through his role as a publisher. Through his renowned printing studio, he brought to life numerous books, magazines, and postcards, showcasing the works of both established and emerging Japanese artists.
In doing so, he not only provided a platform for these artists to shine but also played a pivotal role in shaping the global perception of Japanese art and identity.
Today, we witness the resounding impact of Kazumasa’s influence throughout contemporary arts and culture. Artists and creators continue to delve into the ethereal beauty of Japan’s natural and cultural landscapes, and explore the intricate customs that shape it’s people and heritage.