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Yoshitomo Nara’s childlike, yet provocative subjects have captivated audiences worldwide, inspiring a new creative in both his home-country of Japan and beyond.
The vast appeal of Nara’s art lies in its ability to conjure intrigue and introspection, resonating with audiences across a multitude of backgrounds and ages.
Fuelled by a sublime blend of talent and dedication, Nara has propelled from the serene landscapes of Hirosaki, Japan, to the forefront of global contemporary art.
Join us as we reflect of Nara’s life, work, and the rebellion behind of his creativity.
Yoshitomo Nara (奈良 美智), was born 5 December 1959. Nestled within the serene landscape of Hirosaki, a young Yoshitomo Nara grew up as an only child, embracing solitude as a natural companion. His early years were spent wandering the tranquil environment, which offered an enchanting backdrop for his nascent creativity. In the absence of siblings, Nara found solace in music and art, nurturing a passion that would later set the stage for his meteoric rise as an artistic maverick.
During his formative years, Nara developed a fondness for the world of music. He once said, “I spent a lot of time with music. It was like a good friend to me.” His affinity for the melodic would later influence his artwork, as music and art became inseparable companions in his creative pursuits.
Nara’s educational journey began at the Aichi Prefectural University of Fine Arts and Music, where he honed his skills and expanded his artistic horizons. His encounter with German Expressionism during this time ignited an intellectual curiosity that prompted his decision to study at the renowned Kunstakademie Düsseldorf. In this vibrant European setting, Nara’s artistic voice began to crystallise, setting the foundation for his unique “Neo-Pop” style.
During his studies in Germany, Nara was exposed to a variety of influential European artists, such as Egon Schiele and Paula Modersohn-Becker. This exposure to avant-garde art movements helped Nara refine his own artistic vision. According to a 2017 survey by the Japan Foundation, 57.8% of Japanese artists who studied abroad did so in Europe, highlighting the continent’s allure for creative minds seeking diverse cultural experiences (Japan Foundation, 2017).
The fusion of punk rock and manga into Nara’s work marked the birth of his “Neo-Pop” style – an unmistakable artistic signature that would catapult him to global acclaim. As Nara’s reputation grew, he found himself collaborating with prestigious galleries and exhibitions across Europe. This exposure not only cemented his status as a cultural icon but also served as a catalyst for the evolution of his artistic vision.
One notable example of Nara’s early work is his Dog and Pup series. Including the children’s book “The Lonesome Pup” and the 28ft tall “Aomori-ken” (Aomori Dog, 2005), this whimsical yet uncomfortable series explored themes of innocence, childhood and loss, setting the tone for Nara’s distinctive artistic language.
As his influence expanded, Nara’s art began to grace the walls of renowned institutions like the Tate Modern in London and the Museum of Modern Art (MoMA) in New York, earning him a place among the most distinguished contemporary artists of his time.
Yoshitomo Nara’s groundbreaking solo exhibition at the Stephen Friedman Gallery in London propelled him into the international art world’s limelight. His impact extended to the Saatchi Gallery‘s “The Revolution Continues: New Art from China” exhibition, showcasing his unique perspective on contemporary art. Nara’s reach peaked with a retrospective at the Centre Pompidou in Paris, cementing his position as a formidable force in the global art scene.
Nara’s artwork captures a universal sense of angst, and has lead to a cult following. His portrayal of seemingly innocent children with hidden darkness and angst resonates with viewers of all ages and backgrounds.
Among Nara’s prominent figures is “Knife Behind Back” (2000), which old for a staggering $24.9 million at Sotheby’s Hong Kong in October 2019, setting a new auction record for the artist. This sale highlighted not only the growing appreciation for Nara’s work but also the increasing recognition of contemporary Asian artists in the global art market.
“Knife Behind Back” delivers a striking and dualistic message, as its title alone serves as a chilling warning. The painting’s power lies in it’s ability to evoke a sense of menace through the absence of the depicted weapon. The hidden knife, concealed with intention, becomes a potent symbol of potential danger, ready to be unleashed at any moment, and creating an undercurrent of discomfort.
Miss Forest / Thinker, 2016 · Urethane on Bronze · 500.4h x 139.7w x 158.8d (cm) · Installation View: N’s YARD, Nasushiobara, Japan · Picture credit: courtesy and © / Photo : Yoshitomo Nara · Image found on page 249, Fig.301 of book "Yoshimoto Nara"
Knife Behind Back, 2000 · Acrylic on Canvas · 234h x 208w (cm) · Sold at Sothesby’s · © Yoshimoto Nara
Nara’s ability to bridge cultural and generational gaps has drawn comparisons to Keith Haring. This ability to tap into a shared, unspoken conscious may in part be influenced by his time spent in Germany, where he faced a distinct language barrier. According to Isaure de Viel Castel, a contemporary art specialist at Phillips, here he was forced to “explore the depths of his subconscious and reflect on the search of his identity” (ARTnews 2020).
Whatever the cause, this egalitarian approach has solidified Nara’s status as an influential artist who surpasses categorisation.