Rayvenn Shaleigha D’Clark’s work is a bold fusion of hyperrealism and digital technology, creating sculptures that celebrate diversity and elevate unheard voices.

Her solo exhibition, Digital Flesh: The Texture of Identity, explores how digital tools reshape our understanding of identity. Using a unique process that merges live casting with 3D printing, her sculptures focus on the overlooked stories of women of colour and inviting reflection on the complexities of representation today.

In 2024, D’Clark’s impact was recognised by Forbes Under 30. Her landmark commission Black Renaissance — three large-scale sculptures for permanent display at the Freedom Monument Sculpture Park Alabama, United States —marked one of the largest ever awarded to a woman under 30.

Through her work, D’Clark honours those often left out of public narratives, redefining monuments and public art as spaces for inclusion and celebration.

Image: Digital Flesh, The Texture of Identity ・ Rayvenn Shaleigha D’Clark ・ Image © The Thomas-Ferdinand Gallery