Fanny Eaton (1861) Fine Art Print by Joanna Boyce Wells
A couple admires an exhibition set against the backdrop of the serene blue sea and sky
by The Thomas-Ferdinand Gallery
NO. 11008
As part of The Year of Mexico, artist Carlos Amorales presented his installation We Will See How Everything Reverberates at the Turner Contemporary in Margate in 2015. Inspired by the iconic sculptor Alexander Calder (1898–1976), Amorales crafted three suspended mobiles adorned with cymbals – its undulations referencing the organic forms of Calder’s work. Within this exhibition space, more than 30 cymbals were suspended, converging to form a grand-scale mobile that doubled as an enormous musical instrument. Visitors were given mallets and invited to engage with the cymbals, creating a harmonious synergy of art and sound.
150 of 150 licenses available
Framed A3 large image print example. Frame not included.
Framed A3 large image print example. Frame not included.
Details
- Restrictions: No commercial use without permission.
- Location: Turner Contemporary, United Kingdom
- Copyright: 2023
- Artist: The Thomas-Ferdinand Gallery
- Licence: Royalty-Free
Limited Edition Image:
Only 150 licences will be issued for this image. Once all licences have been allocated, the image will no longer be available.
Common uses include:
Newspapers, magazines (except for covers), personal printing, editorial broadcasts, documentaries and non-commercial websites – can be used to illustrate matters of public interest.
Can’t be used for:
Any commercial, promotional, advertorial, endorsement, advertising or merchandising purposes in any media (e.g. print, commercial broadcast, film, digital).
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A couple admires an exhibition set against the backdrop of the serene blue sea and sky
by The Thomas-Ferdinand Gallery
NO. 11008
As part of The Year of Mexico, artist Carlos Amorales presented his installation We Will See How Everything Reverberates at the Turner Contemporary in Margate in 2015. Inspired by the iconic sculptor Alexander Calder (1898–1976), Amorales crafted three suspended mobiles adorned with cymbals – its undulations referencing the organic forms of Calder’s work. Within this exhibition space, more than 30 cymbals were suspended, converging to form a grand-scale mobile that doubled as an enormous musical instrument. Visitors were given mallets and invited to engage with the cymbals, creating a harmonious synergy of art and sound.
150 of 150 licenses available
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